Saturday, October 19, 2019

kevin wilson photography | wedding photographer | dorset


Janice Ward LBIPP









I believe Janice's calling was always going to involve artistic content, having achieved an A at A level in that subject during her education it was going to feature in her career.

 The perfect example of Janice and her spontaneity is within this  captivating, delightful candid portrait, had it been taken by the famous Cartier Bresson, it would be applauded as a masterpiece, However, it is every bit as good.

This lady has lived a full life and does not care what people may think or say, because she is an individual and full of confidence. The expressive hands, cigarette ash and glasses, headscarf all add to who this lady is.

This portrait  is making me want to know so much more about her, it is a photograph that will always carry universal appeal to photographers.

Initially, Janice trained within the NHS, this saw her becoming a highly skilled physiotherapist specialising in Musculoskeletal problems, a profession she loved .

Unfortunately, illness took hold with her developing a form of epilepsy and later unable to speak. This came at a time Janice was enjoying life as a Senior physiotherapist and In the Private sector  these are her words and her story. 



"A routine tonsillectomy shook up my career path suddenly , when after the op, it was clear something had gone wrong when I couldn’t speak. As I was recovering, I travelled home to arrive to see the news  breaking of the twin towers attack. at that point I also felt my own career was crashing down.

 Being unable to communicate verbally  had a profound effect on my personal and professional life. It was career ending.  I had a choice to stay indoors unemployable or venture out and educate myself whilst relearning to speak once more. I decided it was time for me to make decisions."


I enrolled on a Foundation Diploma course in Art and Design at The University of Gloucester, Cheltenham. It was not easy but I would write information down if I couldn’t make myself understood. At best I sounded deaf but I could now speak a little.

I studied Art History, Graphic Design, life drawing and photography. I spent time developing black and white film and I got my first tiny Sony Cybershot with a 3 megapixel sensor.

I took some images of my nephews just sitting facing into the sun with their sunglasses on but altered each slightly to suit their characters, I loved those portraits and they were carefully enlarged up and have been displayed on my sisters wall for years, once again proving how valuable photography can be to families and the wider world.

This was first indication of what I was going to love in Photography later.

At this point I was only seeing my husband at weekends so we decided it would be nice to have some professional family portraits taken by a cousin who is a wedding photographer. She took our family photos and immediately I said I would like to do this.

 She advised me to do a course online which I did and got my USA Diploma in Professional studies in Photography in 2016 at this time shooting on a Nikon D40 and kit lens. 

The boys were still really young  so Initially I dabbled In stock photography and  enjoyed the freedom that this brought to me. I invested in a Canon 5D Mk 111  and purchased a range of lenses in different focal lengths. 

I decided to further my career by attending a course in America, however just before I left I had a feeling something was missing.

Having become aware of Kevin Wilson's images recently and realising I had referred a friend to one of his workshops that I was unable to attend at that point. I emailed Kevin and left a message never expecting anything to come of it.

I was particularly impressed by his accolades spanning decades and his consistency and clear style. He had perfected what I was looking for even though I suspected weddings may not be my specialism. However, weddings are portraits of people after all.

I had been relatively successful winning numerous prestigious accolades  10 bronze awards in Child portraits, creative portraits and contemporary portrait categories for my studio work It felt good but the feeling I was off track was now growing.

I called Kevin , we had a conversation about how he would be able to help me. Subsequently, I booked a training session. Soon I was back out shooting outdoors, soon I was learning how to be myself again. I was feeling vibrant about my future, realising that I could pursue the path I wished to follow.

I wanted to address my weaknesses I didn’t have a consistent style. I wasn’t really understanding printing  and I was lost because I hadn’t found what was important to me in my own photography..

The first session with Kevin I was bit stressed as I hadn’t really thought about how many accolades he has won and worried I was way out of my depth. Having had an art background though meant that for me being mentored felt like I was following in the artists tradition of studying under a Master it really suited me . This is one of the reasons I often refer to Kevin Wilson as 'The Master.


So before I met him I got really nervous. I need not have been. He has a very good way of guiding and teaching so it all seems to happen very naturally if you pay attention.
I implemented everything I learnt immediately.

 He started to understand me more and realised I needed to find my own style using my strengths. He realised I wasn’t looking to necessarily look like his style, he suggested I go to view Don McCullin's exhibition in London, which I did and duly called Kevin saying, " you knew what that would do to me didn’t you?" When I called to confess to crying  and I had  to get  outside as I was overcome with the emotion of some images.

 Photography had only moved me in this way on three occasions now. First time was seeing Kelly Brown's Fine Art images of her mother, whilst fighting cancer , second time seeing Kevin Wilson's Centenarian project and now seeing raw emotion in Don McCullin's work. This all struck a chord with me, I wanted to create something on a subject that is also very emotional.

I am clearly an emotional photographer and I realised I had tried to hide this from my imagery so often and hence the feeling of being off track. Emotion, it blinded me to the technical, now I really understood. The next time I went to Kevin's studio I was to learn from my mistakes and grow my editing knowledge. 

This was where I was now on the right track I understood what was important to me in a portrait and why. Now I could harness the emotional side and pull up the technical side.
 I realised  The final time was to help me see more in depth re editing and printing.

I would show Kevin my RAWS with no deletes. I trusted the process and so glad I did as turns out it showed up some points I was able to really grow from. This was a very instrumental part of my learning.

Where I’m at now is still a huge surprise for me . I realise I am a Portrait photographer, I’m somewhere between candid and posed, I am my own style now. I understand that for me it isn’t all about just a pretty picture there needs to be a reason for taking it too, for it to feel right to me. I want beautiful imagery but I also want real and authentic photographs.

 One thing that may surprise is that even though Kevin is known for his elegant signature wedding and portraiture work, it is the images he captures of people through  his extensive travelling across the globe  that I really love and his project work. I have found that I  am more disciplined now in my work technically which actually allows me to maximise the emotional candid moments to best effect.

Having been mentored means I've grown as a photographer, I understand the industry better, I understand myself a lot better and I’m now more aware of what my strengths are to help me define my current and future work".



Summary

So, Janice as she has pointed out spent three days with me over a period of time. What struck me about her was that she was indeed her own person, having definite ideas about how she wanted to be seen as a photographer. I immediately seized on the fact that she was one to see the moment and react to it, highly observant and although Janice wanted to do portraits, her discipline to me was always going to be defined in documentary portraiture. I did not wish to change her in any way, to do that would take away the essence of Janice, it was more to hone, guide and assist with technical issues and help her to oversee a project that is very close to her heart.

This project was dealing and living with dementia, we spoke at great lengths on this subject and how it could realise the full potential of documenting every day life in a care home.

This would test Janice and stretch her photography to levels she had not encountered previously.

 To undertake a task such as as this requires a great deal of empathy and patience with the person being placed in front of her lens, this is where Janice's training as a Physiotherapist was going to repay dividends, knowing the capabilities of frail people, when to stop, how to handle the delicate person she was dealing with, each and every time.

Another ingredient needed in a project of this magnitude in my opinion is the ability to listen to their stories, be prepared, to spend time communicating with them, taking an interest both in their past and future, finally to have a love for human beings. The initial thing that struck me about Janice was just that, she is never short of conversation and takes a real interest in what others do and say. Janice possesses all this in abundance.

Between us we came up with a concept, a project that, would prove to be truly satisfying . Not just on a personal level, but within the defining of the genre she would be submitting her work to the British Institute Of Professional Photography, in pursuit of gaining her Licentiateship qualification.

I suggested Janice should consider approaching a few care homes outlining a proposal of what she wished to achieve with their co-operation, I also suggested that she should do it while it was fresh in her mind. This is where Janice's organisational ability came into play, she was on to them the very next day, soon an appointment was made and agreement reached.

Failure to prepare, is prepare to fail as they say. This is not in Janice's DNA.

Several visits were made to the chosen care home to see what problems and hurdles she may have to overcome.

Discovering that working in areas with little room to manoeuvre, light  that was not directional, lack of light, this all helped with her preparation.


This lady was the very first person that Janice photographed, she caught her in a moment while she was in conversation with her friend, showing how comfortable they were with each others company and also with Janice taking the photographs.The second image is her friend in reply, so the narrative shows their affection for each other. The third image is of them together which makes a fine cameo of friends in a care home, enjoying their time together.











Memories



This next portrait is a lady looking back at happier times with someone she loved, no longer with her, however, the portrait she is holding brings comfort to her.

Observational skills


What makes this interesting is the lady waiting in the background, adding narrative and depth, many would wait for her to move away, not Janice, she wanted realism as she has mentioned about her work and her identity as a photographer.










In my Room



On this occasion, Janice was able to go into this ladies room and capture her within her surroundings.

I find this to be a very strong editorial portrait of an elderly lady comfortable within the confines she finds herself





Weary.







Time for Tea.



At the beginning of October 2019, Janice submitted her work for appraisal, beautifully crafted and printed photographs on fine art paper, her work was received with much acclaim, resulting in Janice Ward being awarded her Licentiateship qualification, this in itself was the goal Janice was working to, only to learn that not only had she passed, she additionally was judged to have made the best submission of 2019, this is an award that goes to the best of the best, well done young lady.

If you feel you would like to realise your dreams and become the photographer you would like to be, please contact me via email, kevin@kevinwilson.co.uk tel 07595 347814












Friday, March 01, 2019

Catherine Beltramini Profile




kevin wilson photography | wedding photographer | dorset



Photographers often ask  how long does it take to earn a qualification with one of the professional associations?

 It is a valid question and is deserving of a quite detailed answer. Each candidate is individual, they all have differing needs and levels of expertise. This can be quite daunting for many, additionally, each association has different criteria.

I would suggest that this should under no circumstances be rushed, it takes concentration and skill in many aspects, the first is to take advice form someone who understands the requirement at each level. Licentiate, Associateship, and finally, the holy grail, Fellowship.

Honesty is paramount at this initial stage, be prepared to accept constructive criticism, it is in your  interest to listen to someone that you have faith in. How do you go about finding this required expertise, or a sympathetic person that will guide you through the process in the assembly of your submission?

 The different associations offer varying levels of mentoring for free as a benefit of membership, this advice generally will be limited access to the assigned mentor, after all, they have their own businesses to look after, initially it would be sensible  to enquire as to what will be included.

Take a look around and see a photographer that consistently demonstrates work that you are drawn to, for example if you wish to cover weddings or portrait work, it is of little value to see someone who specialises in commercial work.

If your needs are more specific, an in depth level of training,  coaching or mentoring is something you might wish to consider, alternatives could prove to be more beneficial. Personally, I offer a 1 day, three day, six months or twelve months. This dedicated and structured approach can be highly advantageous, you will not only have the best level of advice, in addition you will be guided through from start to finish and overseen at each stage on a personal level, in face to face meetings.

The service I offer is not just mentoring, it is a comprehensive in depth look at what you are currently carrying out in your own business, it will involve showing you how to create beautifully lit and well composed work, which in turn will lead you to create your own signature creations. This is something I have always looked to achieve in every commission, a style that is instantly recognisable.

Catherine Beltramini  came to me exactly one year ago, not as a member of any association just wanting to quietly find her own way. I scrutinised her work and could see that she had a real talent, especially with connection with her clients.
In the description I gave in relation to finding a mentor above, Catherine went through the process, she realised my work was something she could relate to, timeless elegant work that will always be sought after.


 Initially, Catherine came for a taster 1 day, liked what she saw that day and extended it to a further two days.

It soon became apparent that Catherine was ready to submit for her Licentiate qualification, the date was set for July 18th 2018, her submission was greatly admired due to the high level of work she had printed through Paul Williams laboratory, so much admiration that Catherine was nominated for the Peter Grugeon award, this is only given to the best of the very best and is indeed an extremely prestigious award. Catherine's submission consisted of 25 portraits, predominantly in natural light.
Below are a selection of portraits from the submission that Catherine achieved her successful result.

Catherine has a very quiet approach with her subjects, making them relax in a very short space of time, she will have captured the soul of her subjects.

Whether it be a location available light setting, or a studio set up Catherine has proved that light is light, if used correctly it will always provide the results that portray character and personality that  she is looking to achieve.









Not one to sit on her laurels, Catherine took the comments that she should consider applying her skills and submitting a panel for Associateship.
The available light skills that she was in possession of came to fruition in her next project, ensuring that the veterans would be portrayed in a quality light situation, within the confines of their homes. This requires a high understanding of light, their patterns and control, never easy in the confines of a home, using just the bare minimum of equipment.This is always the best approach as our clients can be overwhelmed with such a vast array of lighting etcetera.

Catherine placed a great deal of time and effort into this, tracking down of Veterans that would represent the forces that had served their country. This was planned to coincide with the centenary of the celebration of the ending of WW1. 

Catherine set out to create, portraits that would reveal dignity, character, charm, humour and respect for these amazing men that had served their country, and are now living out their lives in peace and quiet, quite a difference from their time at war which must have been terrifying for all concerned, never knowing if they would return home to their families.


Travelling light with one lens , one camera, one light, which for this project was window light and a backdrop, Catherine travelled far and wide, capturing these beautiful images. We decided that a sympathetic tone would be reminiscent of the times. The important part of all this is often in the presentation and printing. this task was once again entrusted to  Paul Williams to carry out.


 A few months later, November 7th 2018, this collection of poignant imagery was the submission that achieved Catherine her Associateship.
Indeed it was remarkable for Catherine to receive her Licentiateship in a relatively short time of becoming a member of the BIPP. To go forward and achieve her Associateship in such a short time span is really a testament to both her commitment to photography and her craft.





More exciting news for Catherine is that she learnt that her collection of work entered in the 2019 awards at the British Institute of Professional Photography has been shortlisted as a finalist.

So, back to the opening paragraph, how long does it take, here is the proof and your answer, hard work, determination and skill will get you through.











Monday, January 15, 2018

Father Of The Bride

A wedding celebration is always a joyous occasion for all involved. When my daughter Emma set the date for her wedding, Julie and I suddenly became aware how much planning is required to ensure everything would be just as we always wished for the day. Naturally, having been involved in the wedding industry for pretty much all of my life, I was able to offer my advice, when required.

Uniquely from my perspective, I knew of the pitfalls that could be encountered, therefore, Emma sought my help whenever she needed it, at the same time, not wanting to give too much away to myself, father of the bride.

Athelhampton House

The 15th century house was chosen for the ceremony and reception, a venue I was more than happy to endorse. I have worked in this beautiful private house on numerous occasions as a wedding photographer. On each and every occasion, I was always impressed by the attitude of the management team, led by Owen Davies, General Manager and his assistant manager Laura Pitman. I was fully aware of how welcoming and accommodating they are, striving to deliver quality and outstanding professionalism to make our day, just as we wanted it to be. Owen with his guidance and knowledge of fine wines and champagne was second to none.


Laura with her ability to organise and structure the day, took away any worries from our family.  Her patience and expertise must have been tested to the limit, countless emails, phone calls, extensive notes were exchanged between us, needless to say, everything exceeded our expectations resulting in a perfect wedding celebration for Emma and Owen.

The wedding breakfast was magnificent, carefully prepared in their own kitchens by highly skilled chefs, utlising the finest produce. One additional thing we loved, was the ability for our guests to select their food on the day and it was appreciated greatly by all.


As the wedding was going to be a Christmas time ceremony, we knew it would be very welcoming and warm with the log fire glowing next to the floor to ceiling Christmas tree. Additionally, we knew that if the weather had been unkind, we had the Great Hall as a magnificent backdrop for photographs.


As it happened, we were in luck, a cold overcast day providing beautiful soft light for flattering photographs. The grounds offer enormous potential for capturing the essential bridal portraits, everywhere you turn there appears an opportunity to make special portraits of the couple, equally inside you are also spoilt for choice. Many guests appreciated walking around the house, viewing all the different rooms that have been maintained to such a high standard, mainly all undertaken by Patrick, the owner of this magnificent home.

 
Photographer

Yes, the dress is very important, possibly the one thing everyone wants to see on the wedding day, after all it is possibly one of the most important elements, guests in anticipation as the bride makes her grand entrance, however, what is the use in spending a small fortune on a dress, then not having it displayed and recorded at it's most exquisite?

You need someone with the ability to give memories of just how beautiful your day is from start to finish, presented in a hand made graphically designed complementary album which will preserve for future generations to come. After all, once the wedding is over, all you have are the memories and the photographs.

Here is one thing I knew just had to be right, after all, having been a photographer pretty much all of my life and a passion of mine since I was a teenager. I have photographed in excess of 1000 weddings, I have seen photographers come and go. Digital has been a double edged sword, with a huge influx of part-time photographers that have not honed their skills or taken sufficient training, resulting in many brides being disappointed with the result. 

In the hands of an experienced and refined photographer, digital allows a certain freedom, providing the photographer is in possession of a complete understanding of light and its effects, composition and posing skills to ensure the best results to ensure everyone looks their best. There also needs to be more vital ingredients, charm and of course striking a fine balance between getting the photographs in a timely manner, which allows the couple to celebrate with their friends.

There are very few photographers that I would consider to produce work that will stand the test of time, therefore, it was of paramount importance for me to deliver someone capable of delivering all these qualities.


I wanted a photographer who has the skills I have achieved, a Fellowship with the British Institute of Professional Photography. This accolade recognises the very best of the best, this represents an award that very few ever reach, widely acknowledged as an expert practitioner in that genre, approximately eleven currently hold that status. Why so few have reached that level, simply because it is so difficult, it is meant to be. In 115 years, the British Institute of Professional Photography have only a handful that truly represent the very finest quality that will guarantee you a collection of images that will reflect your day perfectly, a clear understanding of all elements that go into capturing the special moments. Interestingly enough, there are no wedding Fellows in the South of England apart from myself and David Wheeler FBIPP, who also has the rare distinction of being the youngest photographer to be awarded a Fellowship in the BIPP. This indeed is a rarity as generally photographers take many years, if ever, to reach that position. 

As a photographic judge/ chairman, trainer and mentor of all the professional photographic bodies in the UK and a worldwide lecturer, I have an acute awareness of the photographers that apply themselves to wedding photography in a manner which represents the finest distinguished quality of light, clear understanding of composition, coupled with elegance within their work.


I first met David around 5 years ago, when he kindly stepped in and assisted me on a wedding. An assistant normally acts upon the instruction of the main photographer, which has always been the case with my previous assistant.  However, I was delighted to see David act for himself, capturing moments that he had observed whilst I was otherwise engaged with the wedding.  I thought to myself how alike David was in his approach to all the elements that I strive for in my own work.  On closer inspection of David's images, I was astonished that we had such strong similarities within our recognised style.

Once I had established that David had a real passion and affinity for wedding and portrait photography we quickly became great friends, working together on many weddings and projects. A real photographer should practice, just as an athlete would, to become one of the best. It is not all about money or financial gain, therefore, I have always set myself projects and I invited David to spend some time with me on these, including documentary portraiture projects in a bohemian town in Dorset and a prison, capturing the prisoners and their everyday life. During this period David asked if he could get his licentiate, to which I replied, "I thought you already had it, if not, it is just a formality, your work is in excess of Licentiate and approaching Fellowship within the next 18 months". Upon looking at David's portfolio we established their was a clear pattern within his work which demonstrated to me beyond any doubt that David would get his Fellowship, which has proven to be the case.  Subsequently he was awarded his fellowship 12 months later, in August 2014.  


During this time, I mentioned to David that I felt he had massive potential to become the finest photographer of his generation, I could see he was going to share the same type of vision and thought process that I have, that is, wanting to give of our very best to our clients who are willing to give their time and trust to ourselves as creative artists. This premonition of mine has come true, where David has fully justified that statement, resulting in him becoming that photographer, the best of the best. 

David has gone from strength to strength, winning gold awards, the Patrick Litchfield Award for 'The most creative use of people', a finalist in the World Photographic Cup competition and I can only see this list being extended, with nobody over his shoulder to match his skill.

Having said all this about the photography side of David, there is more to it than that. A refined wedding photographer needs to be the type of person you would like as a guest, David is that person. He is kind, considerate and extremely talented individual, simply the best.

www.davidwheelerphotography.co.uk




































From past experience, I have always appreciated having an assistant with me throughout the wedding and I wanted David to have someone who he could rely on to work systematically on his own, but also capturing the moments the David was unable to capture. I looked no further than Mark Cornwell who I have worked with over the last 18 months, knowing that he will add extra cover and complement David's work.  

https://www.morethanaphotograph.com


Florist

Jess Cooper was our choice of florist, trying to use local business wherever that was possible. Again, having worked at weddings with Jess, I always noticed how beautiful her creations were. My daughter Emma had a consultation with her where they exchanged ideas, it was obvious from this meeting that they were both destined to work together. 


We were thrilled with her results, everyone has commented on how amazing and different they were, flowers are always something worthwhile investing in as they contribute and complement so much to the presentation and decoration of venues. As a photographer, I am always extremely happy when I see a bride invest heavily into such an important part of the wedding.  

http://westdorsetweddingflowers.co.uk/home


Dress

The one aspect I had no input into was the wedding dress, Emma works in London and spent many hours looking at different shops and styles, I have to say she pretty much went to all of the them. Her experiences were varied, eventually, she settled on Le Spose di Gio, Belgravia, London.

The experience Emma received her from start to finish was exquisite, needless to say, I was thrilled with the design they came up with, a soft and delicate design which suited Emma's personality and demeanour.  Seeing my daughter for the very first time was a moment that I will always cherish.  My advice to any bride is to spend as much as you can on a dress (which Emma certainly did!).  I do not regret spending a single penny of that money.

http://www.lesposedigio.com/en/


Stationery

There is only one choice when it comes to perfection, that is the one and only Julie Nicholls. Julie adds a very individual approach to each and every wedding she designs, all unique with colour coordination and attention to detail, her designs are unparalleled and extremely polished.

Julie was an obvious choice to design the finer aspects of the wedding, giving considerable thought process to each and every detail, considering everything to fonts and colour uniformity.  Once again, my experience of working with Julie has always impressed upon myself how much of a significant contribution her skills have added to the details of the day.  I consider Julie to have almost been a perfect bridesmaid, guiding Emma and ourselves, each step of the way.

http://juliecnicholls.com/index.php
Cake

Lisa Notley was asked to make the wedding cake, just about every wedding I attend, there on the stand is one of Lisa's finest cakes. If that is not a recommendation enough, I don't know what is. 

Cakes are often overlooked on the wedding day, however I would urge brides to contact her as she is an extremely charming lady.  So much so that I call her the Mary Berry of the wedding cake designers.

http://lisanotleycakedesign.co.uk


Make up and Hair

Amazing Face was Emma's choice, especially as she has been bridesmaid on 13 occasions, she had built a rapport with Caroline and Elke who had in fact provided the styling of hair and make up on so many of those weddings.  Gone are the days when brides did their own make-up and it is such a worth while investment, taking any stresses away in the morning, to ensure the bride and her attendants are looking their very best.

Caroline and Elke kept extremely calm throughout considering there were ten bridesmaids, mother of the bride and father of the bride, which took most time. 

http://www.amazing-face.co.uk




































kevin wilson photography | wedding photographer | dorset